Roland Fantom, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw -1 + sub sine -1, unison 2, detune 18 cents, sub sine -1
- filter
- LP 24 dB/oct
- cutoff
- 323 Hz
- resonance
- 0.141, drive 0.172
- envelope
- A 5.2 ms D 129.3 ms S 0.921 R 206.2 ms; opens on the attack then settles to the sustained cutoff; filter env amount 0.26
- modulation
- glide 25 ms, mono
- effects
- stereo chorus, bright plate reverb, sidechained pad pump, none
- notes
- a mono synth bass carries the low end on "Good Woman Down", built the way Rodney Jerkins, Bryan-Michael Cox and The-Dream's Fantom-X and Reason-built keyboard programming would have cut it for The Breakthrough (2005). Waveform: 1 saw -1 + sub sine -1, filtered through a LP 24 dB/oct stage around 323 Hz; the envelope (5.2/129.3/0.921/206.2 ms) is snappy and percussive to sit under Mary J. Blige's vocal without crowding it.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem