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Roland Fantom, bass

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Contest: Roland Fantom played bass on Work That by Mary J. Blige (2007)

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Settings

osc
1 square -1 + sub sine -1, unison 2, detune 0 cents, sub sine -1
filter
LP 24 dB/oct
cutoff
237 Hz
resonance
0.149, drive 0.268
envelope
A 6.1 ms D 119.5 ms S 0.809 R 108.4 ms; opens on the attack then settles to the sustained cutoff; filter env amount 0.41
modulation
glide 26 ms, mono
effects
stereo chorus, bright plate reverb, sidechained pad pump, none
notes
a mono synth bass carries the low end on "Work That", built the way Rodney Jerkins, Bryan-Michael Cox and The-Dream's Fantom-X and Reason-built keyboard programming would have cut it for Growing Pains (2007). Waveform: 1 square -1 + sub sine -1, filtered through a LP 24 dB/oct stage around 237 Hz; the envelope (6.1/119.5/0.809/108.4 ms) is snappy and percussive to sit under Mary J. Blige's vocal without crowding it.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem