Roland Fantom, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw -1 + sub sine -1, unison 2, detune 28 cents, sub sine -1
- filter
- LP 24 dB/oct
- cutoff
- 320 Hz
- resonance
- 0.212, drive 0.196
- envelope
- A 2.6 ms D 82.7 ms S 0.881 R 148.6 ms; opens on the attack then settles to the sustained cutoff; filter env amount 0.37
- modulation
- glide 13 ms, mono
- effects
- stereo chorus, bright plate reverb, sidechained pad pump, none
- notes
- a mono synth bass carries the low end on "We Got Hood Love", built the way Rodney Jerkins, Bryan-Michael Cox and The-Dream's Fantom-X and Reason-built keyboard programming would have cut it for Stronger with Each Tear (2009). Waveform: 1 saw -1 + sub sine -1, filtered through a LP 24 dB/oct stage around 320 Hz; the envelope (2.6/82.7/0.881/148.6 ms) is snappy and percussive to sit under Mary J. Blige's vocal without crowding it.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem