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Moog SUB Phatty, bass

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Contest: Moog SUB Phatty played bass on Stop by Patrick Topping (2014)

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Settings

osc
1 saw -1 + 1 sub sine -1, unison 1, detune 11 cents, sub sine -1
filter
LP 24 dB/oct
cutoff
217 Hz
resonance
0.25, drive 0.3
envelope
A 2 ms D 90 ms S 0.85 R 120 ms; short punch on the front of each note, settling to the sustained cutoff; filter env amount 0.33
modulation
lfo sine 0.33 Hz to cutoff, glide 22 ms, mono
effects
light bus saturation, no reverb, tight sidechain to the kick, drive
notes
'Stop' (Get Beasty EP) runs on a rolling, sub-anchored house bass typical of Patrick Topping's early Hot Creations productions. A single saw layered with a sine sub is driven softly and gated tight to the kick so the low end sits mono and controlled, with a short filter-envelope punch giving each note its attack before settling back to the groove.

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Samples

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Revision history

  • Seedsystem