Roland SH-101, bass

Ajustes

osc

2 saw -1 unison, heavily driven, unison 2, detune 10 cents, sub square -1

filter

LP 24 dB/oct, driven into distortion

cutoff

210 Hz

resonance

0.55, drive 0.55

envelope

A 3 ms D 240 ms S 0.58 R 80 ms; opens with the attack, settles under sustain; filter env amount 0.5

modulation

lfo square 2.6 Hz to cutoff, mono

effects

a touch of plate reverb, delay thrown in on the off-beat, crush

notes

The driving analogue bassline that carries the track on "Clearing", built from the all-hardware, heavily-distorted studio behind Wicker & Steel and The Power And The Glory: SH-101-style monosynth and Doepfer modular driven hard into guitar/fuzz pedals for the scorched, industrial low end that defined this run of records. The bass line uses 2 saw -1 unison, heavily driven, cutoff opened just enough to growl under the kick, and runs a touch of plate reverb, delay thrown in on the off-beat for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

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Historial de revisiones

• 10 sep. 2026Seedsistema