Roland SH-101, bass
Não verificada
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Ajustes
- osc
- 1 square -1 + noise burst, unison 1, detune 8 cents, sub sine -1
- filter
- LP 24 dB/oct, driven into distortion
- cutoff
- 150 Hz
- resonance
- 0.45, drive 0.4
- envelope
- A 2 ms D 210 ms S 0.5 R 60 ms; opens with the attack, settles under sustain; filter env amount 0.4
- modulation
- lfo tri 2.2 Hz to cutoff, mono
- effects
- short slap delay, no reverb, kept dry for club translation, fuzz
- notes
- The driving analogue bassline that carries the track on "Clapacid", built from the all-hardware, heavily-distorted studio behind Wicker & Steel and The Power And The Glory: SH-101-style monosynth and Doepfer modular driven hard into guitar/fuzz pedals for the scorched, industrial low end that defined this run of records. The bass line uses 1 square -1 + noise burst, cutoff opened just enough to growl under the kick, and runs short slap delay, no reverb, kept dry for club translation for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.
Fontes
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Imagens
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Quem tocou
Ninguém creditado ainda.
Amostras
Ainda sem amostra.
Histórico de revisões
- Seedsistema