Roland SH-101, bass

Ajustes

osc

2 saw -1 unison, heavily driven, unison 2, detune 30 cents, sub sine -1

filter

LP 24 dB/oct, driven into distortion

cutoff

390 Hz

resonance

0.85, drive 0.85

envelope

A 2 ms D 90 ms S 0.74 R 140 ms; opens with the attack, settles under sustain; filter env amount 0.8

modulation

lfo tri 5.4 Hz to cutoff, mono

effects

hard-panned short delay, reverb kept minimal to preserve punch, crush

notes

The driving analogue bassline that carries the track on "Judd", built from the all-hardware, heavily-distorted studio behind Wicker & Steel and The Power And The Glory: SH-101-style monosynth and Doepfer modular driven hard into guitar/fuzz pedals for the scorched, industrial low end that defined this run of records. The bass line uses 2 saw -1 unison, heavily driven, cutoff opened just enough to growl under the kick, and runs hard-panned short delay, reverb kept minimal to preserve punch for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

Fontes

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Imagens

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Histórico de revisões

• 10 set 2026Seedsistema