Roland SH-101, bass

Ajustes

osc

1 square -1 + white noise layer, unison 1, detune 24 cents, sub sine -1

filter

HP 12 dB/oct into LP 24 dB/oct

cutoff

510 Hz

resonance

0.45, drive 0.55

envelope

A 4 ms D 270 ms S 0.58 R 60 ms; opens with the attack, settles under sustain; filter env amount 0.4

modulation

lfo sh 4.6 Hz to cutoff, mono

effects

a touch of plate reverb, delay thrown in on the off-beat, fuzz

notes

The driving analogue bassline that carries the track on "Igneous", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 1 square -1 + white noise layer, cutoff opened just enough to growl under the kick, and runs a touch of plate reverb, delay thrown in on the off-beat for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

Fontes

Ainda sem fonte. Uma reivindicação precisa de uma fonte de grau A, ou duas fontes independentes de grau B, para ser verificada.

Imagens

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Quem tocou

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Histórico de revisões

• 10 set 2026Seedsistema