Roland SH-101, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 detuned, driven, unison 2, detune 40 cents, sub sine -1
- filter
- HP 12 dB/oct into LP 24 dB/oct
- cutoff
- 390 Hz
- resonance
- 0.85, drive 0.95
- envelope
- A 2 ms D 90 ms S 0.82 R 140 ms; opens with the attack, settles under sustain; filter env amount 0.8
- modulation
- lfo tri 3.8 Hz to cutoff, mono
- effects
- a wash of reverb pulled back under the arrangement, subtle delay, crush
- notes
- The driving analogue bassline that carries the track on "Hyperlink", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 2 saw -1 detuned, driven, cutoff opened just enough to growl under the kick, and runs a wash of reverb pulled back under the arrangement, subtle delay for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem