Roland SH-101, bass

الإعدادات

osc

1 square -1 + white noise layer, unison 1, detune 24 cents, sub sine -1

filter

HP 12 dB/oct into LP 24 dB/oct

cutoff

510 Hz

resonance

0.45, drive 0.95

envelope

A 4 ms D 150 ms S 0.82 R 60 ms; opens with the attack, settles under sustain; filter env amount 0.4

modulation

lfo sh 7.8 Hz to cutoff, mono

effects

a wash of reverb pulled back under the arrangement, subtle delay, fuzz

notes

The driving analogue bassline that carries the track on "London Isn't England", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 1 square -1 + white noise layer, cutoff opened just enough to growl under the kick, and runs a wash of reverb pulled back under the arrangement, subtle delay for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

المصادر

لا يوجد مصدر بعد. يحتاج الادعاء إلى مصدر واحد من الدرجة A، أو مصدرين مستقلَّين من الدرجة B، حتى يُثبت.

الصور

لا توجد صورة برخصة حرة بعد.

من عزفها

لم يُعتمد أحد بعد.

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• 10 سبتمبر 2026Seedالنظام