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Korg Karma, bass

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Korg Karma played bass on Good Karma by Roxette (2016)

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设置

osc
1 sine sub -1 + 1 saw -1, unison 1, detune 18 cents, sub sine -1, noise 0.01
filter
LP24 filter
cutoff
1932 Hz
resonance
0.22, drive 0.04
envelope
A 1 ms D 119 ms S 0.62 R 113 ms; brief opening pluck on the attack, settles to the sustained level; filter env amount 0.28
modulation
glide 8 ms, mono
effects
short slap-back only, kept dry to sit with the bass guitar, none
notes
On "Good Karma" (Good Karma, 2016) the bass part is a tight monophonic synth bass doubling the root movement, filtered dark to sit under the bass guitar, built from digital supersaw lead/pad stack over a round sub-bass synth, in the Addeboy vs. Cliff modern-pop style. Filtered with a lp24 slope around 1932 Hz and shaped to match the 2016 Good Karma sessions with Christoffer Lundquist, Öfwerman and Addeboy vs. Cliff production.

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