Moog Minitaur, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -3 unison-thin, unison 1, detune 13 cents, sub square -1
- filter
- LP 24 dB/oct
- cutoff
- 230 Hz
- resonance
- 0.108, drive 0.201
- envelope
- A 5 ms D 90 ms S 0.417 R 76 ms; short punchy open-close locked to the kick; filter env amount 0.408
- modulation
- mono
- effects
- short slap delay only, kept mono and dry for club translation, none
- notes
- On "Cooper Station", the rolling low-end part runs 2 saw -3 unison-thin through a LP 24 dB/oct filter at ~230Hz cutoff, res 0.108; the filter envelope short punchy open-close locked to the kick. Mono, glide 0ms, treated with short slap delay only, kept mono and dry for club translation. Synth: approximated from Stephan Bodzin's live rig carried into the Boavista/Afterlife era: Moog Sub 37, Moog Minitaur, Nord Lead and Roland TR-8, layered for the more cinematic live show of this period; undocumented for this specific track's exact patch
Sources
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Who played it
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Samples
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Revision history
- Seedsystem