Moog SUB 37, arp

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 2 saw -6, unison 1, detune 9 cents, sub none
filter: LP 12 dB/oct
cutoff: 1893 Hz
resonance: 0.599, drive 0.125
envelope: A 4 ms D 143 ms S 0.279 R 53 ms; snappy per-step pluck that tightens the sequence; filter env amount 0.349
modulation: lfo tri 0.663 Hz to cutoff, mono
effects: 1/16 synced delay, short plate reverb, none
notes: On "Infinite Monkey", a sequenced arpeggio figure runs 2 saw -6 through a LP 12 dB/oct filter at ~1893Hz cutoff, res 0.599; the filter envelope snappy per-step pluck that tightens the sequence. Mono, glide 0ms, treated with 1/16 synced delay, short plate reverb. Synth: approximated from Stephan Bodzin's live rig carried into the Boavista/Afterlife era: Moog Sub 37, Moog Minitaur, Nord Lead and Roland TR-8, layered for the more cinematic live show of this period; undocumented for this specific track's exact patch

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。