Korg M1, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 3 saw wide, unison 2, detune 30 cents, sub sine -1, noise 0.06
- filter
- LP 24 dB/oct
- cutoff
- 127 Hz
- resonance
- 0.21, drive 0.24
- envelope
- A 15 ms D 103 ms S 0.83 R 351 ms; fast open on transient, settles to sustained cutoff; filter env amount -0.29
- modulation
- glide 21 ms, mono
- effects
- short room reverb, light chorus, none
- notes
- A mono synth-bass line, sub-reinforced and tightly filtered to sit under the kick. Voiced on Yamaha EOS-style patches typical of this record's production (BRAND NEW TOMORROW, 1995). Oscillator stack: 3 saw wide, run through a LP 24 dB/oct filter with the envelope pushing cutoff for movement. Written and arranged by Koji Kubo rather than Komuro.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem