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AIR Music Technology Hybrid, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: AIR Music Technology Hybrid played bass on Till It Hurts by Yellow Claw (2015)

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Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Settings

osc
1 saw -2, unison 1, detune 0 cents, sub sine -1
filter
lp24
cutoff
400 Hz
resonance
0.2, drive 0.5
envelope
A 1 ms D 70 ms S 0.85 R 260 ms; filter env amount 0
modulation
lfo, glide 55 ms, mono
effects
drive
notes
Half-time trap bass with moombahton-influenced rhythmic accents typical of the Barong Family sound, roughly 100/200 BPM.

Sources

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Images

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem