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Native Instruments Massive, arp

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Native Instruments Massive played arp on Cinema by Benny Benassi (2011)

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Settings

osc
2 saw detuned + 1 pluck sample-and-hold layer, unison 4, detune 18 cents, sub none
filter
LP 24 dB/oct
cutoff
6000 Hz
resonance
0.25, drive 0.1
envelope
A 2 ms D 180 ms S 0 R 250 ms; snaps open on each note's attack then closes fast, retriggered every 1/16 step so the arpeggio pattern reads as a rhythmic pulse under the vocal; filter env amount 0.6
modulation
lfo sine 4 Hz to cutoff
effects
short plate reverb (about 1.2s) plus a low-mix 1/8-dotted delay for width, none
notes
The pluck line under the verses is a short-decay saw/pluck patch layered with light detune for shimmer, filtered with a fast-closing envelope so each note snaps and mutes rather than rings, driving the track's build. Rhythmic sixteenth-note gating and a synced delay give the arpeggiated, cinematic motion the title nods to, typical of Benassi's big-room electro house singles of 2010-2011.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem