Native Instruments Massive, arp

Ajustes

osc

2 saw detuned + 1 pluck sample-and-hold layer, unison 4, detune 18 cents, sub none

filter

LP 24 dB/oct

cutoff

6000 Hz

resonance

0.25, drive 0.1

envelope

A 2 ms D 180 ms S 0 R 250 ms; snaps open on each note's attack then closes fast, retriggered every 1/16 step so the arpeggio pattern reads as a rhythmic pulse under the vocal; filter env amount 0.6

modulation

lfo sine 4 Hz to cutoff

effects

short plate reverb (about 1.2s) plus a low-mix 1/8-dotted delay for width, none

notes

The pluck line under the verses is a short-decay saw/pluck patch layered with light detune for shimmer, filtered with a fast-closing envelope so each note snaps and mutes rather than rings, driving the track's build. Rhythmic sixteenth-note gating and a synced delay give the arpeggiated, cinematic motion the title nods to, typical of Benassi's big-room electro house singles of 2010-2011.

Fuentes

Aún sin fuente. Una reclamación necesita una fuente de grado A, o dos fuentes independientes de grado B, para verificarse.

Imágenes

Aún sin imagen de licencia libre.

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Historial de revisiones

• 11 sep. 2026Seedsistema