ARP 2600, lead

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 2 saw -unison, unison 2, detune 10 cents, sub none
filter: LP 24 dB/oct
cutoff: 4568 Hz
resonance: 0.25
envelope: A 14 ms D 150 ms S 0.7 R 250 ms; opens on attack, settles to a bright sustain; filter env amount 0.35
modulation: lfo sine 5.2 Hz to pitch, glide 15 ms, mono
effects: plate reverb, slight delay, none
notes: On "A Broken Frame", post-Clarke line-up rig documented for the period: Roland Jupiter-8 and ARP 2600 for leads and basslines, Sequential Circuits Prophet-5 for pads, Yamaha CS-5 for texture, programmed largely by Martin Gore and Alan Wilder-era engineer Daniel Miller. Here it carries the lead synth line, single-note and vibrato-tinged to sit like a voice in the mix. Reconstructed by ear from the record; no official patch sheet survives for this part, so the specific oscillator and filter values are an informed approximation anchored to the album's known gear.

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。