ARP 2600, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw + sub square -1, unison 1, detune 1 cents, sub none
- filter
- LP 24 dB/oct
- cutoff
- 655 Hz
- resonance
- 0.27, drive 0.1
- envelope
- A 2 ms D 90 ms S 0 R 60 ms; short punchy pluck, snaps open then closes fast; filter env amount 0.5
- modulation
- mono
- effects
- none, none
- notes
- On "Satellite", post-Clarke line-up rig documented for the period: Roland Jupiter-8 and ARP 2600 for leads and basslines, Sequential Circuits Prophet-5 for pads, Yamaha CS-5 for texture, programmed largely by Martin Gore and Alan Wilder-era engineer Daniel Miller. Here it carries the synth-bass line, played mono with a fast filter pluck so each note has a percussive attack before settling. Reconstructed by ear from the record; no official patch sheet survives for this part, so the specific oscillator and filter values are an informed approximation anchored to the album's known gear.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem