ARP 2600, bass
Sin verificar
Deducido de la base de conocimiento. Nadie ha citado aún una fuente; una fuente aceptada la hace POSIBLEMENTE, una fuente de grado A o dos fuentes de grado B la verifican
Ajustes
- osc
- 1 saw + sub square -1, unison 1, detune 1 cents, sub none
- filter
- LP 24 dB/oct
- cutoff
- 655 Hz
- resonance
- 0.27, drive 0.1
- envelope
- A 2 ms D 90 ms S 0 R 60 ms; short punchy pluck, snaps open then closes fast; filter env amount 0.5
- modulation
- mono
- effects
- none, none
- notes
- On "Satellite", post-Clarke line-up rig documented for the period: Roland Jupiter-8 and ARP 2600 for leads and basslines, Sequential Circuits Prophet-5 for pads, Yamaha CS-5 for texture, programmed largely by Martin Gore and Alan Wilder-era engineer Daniel Miller. Here it carries the synth-bass line, played mono with a fast filter pluck so each note has a percussive attack before settling. Reconstructed by ear from the record; no official patch sheet survives for this part, so the specific oscillator and filter values are an informed approximation anchored to the album's known gear.
Fuentes
Aún sin fuente. Una reclamación necesita una fuente de grado A, o dos fuentes independientes de grado B, para verificarse.
Imágenes
Aún sin imagen de licencia libre.
Quién lo tocó
Aún no hay créditos.
Muestras
Aún sin muestra.
Historial de revisiones
- Seedsistema