Behringer PRO-ONE, arp
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw + sub -1, unison 1, detune 0 cents, sub none
- filter
- LP 24 dB/oct
- cutoff
- 784 Hz
- resonance
- 0.5, drive 0.35
- envelope
- A 1 ms D 40 ms S 0 R 30 ms; snaps open per step, closes hard before the next; filter env amount 0.5
- modulation
- lfo square 8 Hz to cutoff, mono
- effects
- 1/16 sync'd delay, dry otherwise, drive
- notes
- 'Commando Mix' (1984): The 9-minute opener and best-known deep cut of the album, a relentless arpeggiated sequence built for the floor. A fast 16th-note arpeggiated synth figure driving the groove, built on an 8-track analog rig -- Sequential Circuits Pro-One-style mono bass synth locked to a Roland step sequencer, as the album's own liner credits describe ('composed and produced on eight tracks'). Confidence is inferred from Front 242's documented studio setup for this record, not a measured patch capture.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem