Behringer PRO-ONE, arp

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 1 saw + sub -1, unison 1, detune 0 cents, sub none
filter: LP 24 dB/oct
cutoff: 784 Hz
resonance: 0.5, drive 0.35
envelope: A 1 ms D 40 ms S 0 R 30 ms; snaps open per step, closes hard before the next; filter env amount 0.5
modulation: lfo square 8 Hz to cutoff, mono
effects: 1/16 sync'd delay, dry otherwise, drive
notes: 'Commando Mix' (1984): The 9-minute opener and best-known deep cut of the album, a relentless arpeggiated sequence built for the floor. A fast 16th-note arpeggiated synth figure driving the groove, built on an 8-track analog rig -- Sequential Circuits Pro-One-style mono bass synth locked to a Roland step sequencer, as the album's own liner credits describe ('composed and produced on eight tracks'). Confidence is inferred from Front 242's documented studio setup for this record, not a measured patch capture.

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。