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Yamaha DX7, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Yamaha DX7 played bass on The Touch by Kim Wilde (1984)

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Settings

osc
1 saw -1 + 1 square -1 (sub-doubled), unison 1, detune 17 cents, sub square -1
filter
LP 24 dB/oct
cutoff
814 Hz
resonance
0.23, drive 0.31
envelope
A 1 ms D 95 ms S 0.8 R 118 ms; short punchy pluck on the attack, settles to a rounder sustain; filter env amount 0.45
modulation
glide 1 ms, mono
effects
plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production, drive
notes
The low-end synth-bass part driving the groove on "The Touch" (Teases & Dares, 1984). 1984 Wilde-family production: transitional kit, Jupiter-8 alongside an early Yamaha DX7 for bells and stabs, guitars pushed forward with synth pads filling behind them. Built from 1 saw -1 + 1 square -1 (sub-doubled), shaped by a LP 24 dB/oct filter (short punchy pluck on the attack, settles to a rounder sustain), finished with plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem