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Yamaha DX7, bass

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Yamaha DX7 played bass on The Touch by Kim Wilde (1984)

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由人工审核。已核实的主张在审核员作出决定之前会保持不变。

设置

osc
1 saw -1 + 1 square -1 (sub-doubled), unison 1, detune 17 cents, sub square -1
filter
LP 24 dB/oct
cutoff
814 Hz
resonance
0.23, drive 0.31
envelope
A 1 ms D 95 ms S 0.8 R 118 ms; short punchy pluck on the attack, settles to a rounder sustain; filter env amount 0.45
modulation
glide 1 ms, mono
effects
plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production, drive
notes
The low-end synth-bass part driving the groove on "The Touch" (Teases & Dares, 1984). 1984 Wilde-family production: transitional kit, Jupiter-8 alongside an early Yamaha DX7 for bells and stabs, guitars pushed forward with synth pads filling behind them. Built from 1 saw -1 + 1 square -1 (sub-doubled), shaped by a LP 24 dB/oct filter (short punchy pluck on the attack, settles to a rounder sustain), finished with plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production.

来源

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