Roland SH-101, bass

Ajustes

osc

2 saw -1 detuned, driven, unison 2, detune 20 cents, sub square -1

filter

HP 12 dB/oct into LP 24 dB/oct

cutoff

570 Hz

resonance

0.55, drive 0.7

envelope

A 1 ms D 60 ms S 0.66 R 80 ms; opens with the attack, settles under sustain; filter env amount 0.5

modulation

lfo sine 5 Hz to cutoff, mono

effects

mono, almost no reverb, a little tape-style delay for width, crush

notes

The driving analogue bassline that carries the track on "Ma", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 2 saw -1 detuned, driven, cutoff opened just enough to growl under the kick, and runs mono, almost no reverb, a little tape-style delay for width for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

Fuentes

Aún sin fuente. Una reclamación necesita una fuente de grado A, o dos fuentes independientes de grado B, para verificarse.

Imágenes

Aún sin imagen de licencia libre.

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Historial de revisiones

• 10 sep. 2026Seedsistema