Roland SH-101, bass
未核实
根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它
设置
- osc
- 2 saw -1 detuned, driven, unison 2, detune 20 cents, sub square -1
- filter
- HP 12 dB/oct into LP 24 dB/oct
- cutoff
- 570 Hz
- resonance
- 0.55, drive 0.7
- envelope
- A 1 ms D 60 ms S 0.66 R 80 ms; opens with the attack, settles under sustain; filter env amount 0.5
- modulation
- lfo sine 5 Hz to cutoff, mono
- effects
- mono, almost no reverb, a little tape-style delay for width, crush
- notes
- The driving analogue bassline that carries the track on "Ma", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 2 saw -1 detuned, driven, cutoff opened just enough to growl under the kick, and runs mono, almost no reverb, a little tape-style delay for width for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.
来源
尚无来源。主张需要一个 A 级来源,或两个独立的 B 级来源,才能被核实。
图片
尚无自由许可图片。
谁演奏了它
尚无署名。
音频样本
尚无音频样本。
修订历史
- Seed系统