Roland SH-101, bass

الإعدادات

osc

1 square -1 + white noise layer, unison 1, detune 0 cents, sub square -1

filter

HP 12 dB/oct into LP 24 dB/oct

cutoff

330 Hz

resonance

0.75, drive 0.7

envelope

A 1 ms D 180 ms S 0.66 R 120 ms; opens with the attack, settles under sustain; filter env amount 0.7

modulation

lfo sine 5 Hz to cutoff, mono

effects

mono, almost no reverb, a little tape-style delay for width, fuzz

notes

The driving analogue bassline that carries the track on "Driller", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 1 square -1 + white noise layer, cutoff opened just enough to growl under the kick, and runs mono, almost no reverb, a little tape-style delay for width for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

المصادر

لا يوجد مصدر بعد. يحتاج الادعاء إلى مصدر واحد من الدرجة A، أو مصدرين مستقلَّين من الدرجة B، حتى يُثبت.

الصور

لا توجد صورة برخصة حرة بعد.

من عزفها

لم يُعتمد أحد بعد.

سجّل الدخول لإضافة اعتماد

سجل المراجعات

• 10 سبتمبر 2026Seedالنظام