Roland SH-101, bass
Sin verificar
Deducido de la base de conocimiento. Nadie ha citado aún una fuente; una fuente aceptada la hace POSIBLEMENTE, una fuente de grado A o dos fuentes de grado B la verifican
Ajustes
- osc
- 1 square -1 + white noise layer, unison 1, detune 0 cents, sub square -1
- filter
- HP 12 dB/oct into LP 24 dB/oct
- cutoff
- 330 Hz
- resonance
- 0.75, drive 0.7
- envelope
- A 1 ms D 180 ms S 0.66 R 120 ms; opens with the attack, settles under sustain; filter env amount 0.7
- modulation
- lfo sine 5 Hz to cutoff, mono
- effects
- mono, almost no reverb, a little tape-style delay for width, fuzz
- notes
- The driving analogue bassline that carries the track on "Driller", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 1 square -1 + white noise layer, cutoff opened just enough to growl under the kick, and runs mono, almost no reverb, a little tape-style delay for width for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.
Fuentes
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Imágenes
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Quién lo tocó
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Muestras
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Historial de revisiones
- Seedsistema