Roland SH-101, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw -1 + ring-modulated square, unison 1, detune 0 cents, sub square -1
- filter
- HP 12 dB/oct into LP 24 dB/oct
- cutoff
- 90 Hz
- resonance
- 0.35, drive 0.4
- envelope
- A 1 ms D 180 ms S 0.5 R 40 ms; opens with the attack, settles under sustain; filter env amount 0.3
- modulation
- mono
- effects
- short slap delay, no reverb, kept dry for club translation, drive
- notes
- The driving analogue bassline that carries the track on "E Mono", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 1 saw -1 + ring-modulated square, cutoff opened just enough to growl under the kick, and runs short slap delay, no reverb, kept dry for club translation for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem