Roland SH-101, bass

Ajustes

osc

1 saw -1 + ring-modulated square, unison 1, detune 0 cents, sub square -1

filter

HP 12 dB/oct into LP 24 dB/oct

cutoff

90 Hz

resonance

0.35, drive 0.4

envelope

A 1 ms D 180 ms S 0.5 R 40 ms; opens with the attack, settles under sustain; filter env amount 0.3

modulation

mono

effects

short slap delay, no reverb, kept dry for club translation, drive

notes

The driving analogue bassline that carries the track on "E Mono", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 1 saw -1 + ring-modulated square, cutoff opened just enough to growl under the kick, and runs short slap delay, no reverb, kept dry for club translation for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

Fuentes

Aún sin fuente. Una reclamación necesita una fuente de grado A, o dos fuentes independientes de grado B, para verificarse.

Imágenes

Aún sin imagen de licencia libre.

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Historial de revisiones

• 10 sep. 2026Seedsistema