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Korg Trinity (V1), lead

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Korg Trinity (V1) played lead on Automatic by Utada Hikaru (1999)

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由人工审核。已核实的主张在审核员作出决定之前会保持不变。

设置

osc
1 saw + FM pluck partial, unison 1, detune 0 cents, sub none
filter
LP 24 dB/oct
cutoff
4500 Hz
resonance
0.15
envelope
A 1 ms D 220 ms S 0 R 220 ms; static, the pluck comes from the amp envelope not the filter; filter env amount 0
modulation
mono
effects
short chorus + delay throw, giving the arpeggio its shimmer, none
notes
The instantly recognisable plucked arpeggio hook that opens and threads through Automatic is a short, decaying synth-pluck patch with almost no filter movement; the pluck character comes entirely from a fast amplitude envelope, chorused and delayed for shimmer. It became one of the most identifiable synth hooks of Japanese pop in this period.

来源

尚无来源。主张需要一个 A 级来源,或两个独立的 B 级来源,才能被核实。

图片

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音频样本

以此设置录制的乐器录音,均由贡献者新近录制。绝非取自该曲目本身的片段。

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