LennarDigital Sylenth1, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw wide, unison 1, detune 26 cents, sub square -1
- filter
- LP 12 dB/oct
- cutoff
- 220 Hz
- resonance
- 0.17
- envelope
- A 3 ms D 60 ms S 0.85 R 180 ms; quick snap to seat the sub under the 808; filter env amount 0.27
- modulation
- mono
- effects
- chorus bus treatment, 20% wet plate reverb/delay to match the album's mix, chorus
- notes
- True Colors (Blacc Hollywood, 2014) -- approximated from Kane Beatz's known work: bright EDM-pop synth stabs and Sylenth1-style leads, his signature early-2010s pop-rap sound. A bass part built from 2 saw wide through a LP12 filter, cutoff sitting near 220 Hz with modest resonance for movement without harshness. single, Kane Beatz/JMIKE production, featuring Nicki Minaj. Amp envelope keeps the bass sitting in the pocket with the drums; light chorus glues it to the mix.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
No free-licence image yet.
Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem