LennarDigital Sylenth1, bass

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 2 saw wide, unison 1, detune 26 cents, sub square -1
filter: LP 12 dB/oct
cutoff: 220 Hz
resonance: 0.17
envelope: A 3 ms D 60 ms S 0.85 R 180 ms; quick snap to seat the sub under the 808; filter env amount 0.27
modulation: mono
effects: chorus bus treatment, 20% wet plate reverb/delay to match the album's mix, chorus
notes: True Colors (Blacc Hollywood, 2014) -- approximated from Kane Beatz's known work: bright EDM-pop synth stabs and Sylenth1-style leads, his signature early-2010s pop-rap sound. A bass part built from 2 saw wide through a LP12 filter, cutoff sitting near 220 Hz with modest resonance for movement without harshness. single, Kane Beatz/JMIKE production, featuring Nicki Minaj. Amp envelope keeps the bass sitting in the pocket with the drums; light chorus glues it to the mix.

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。