Roland Juno-106, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 DCO saw, sub-oscillator square -1 oct, unison 1, detune 6 cents, sub square -1
- filter
- LP 24 dB/oct, medium-open
- cutoff
- 900 Hz
- resonance
- 0.25, drive 0.15
- envelope
- A 4 ms D 60 ms S 0.9 R 80 ms; opens slightly on each quarter-note hit to give the four-on-the-floor pulse some bounce, closes back before the next hit; filter env amount 0.3
- modulation
- lfo sine 0.3 Hz to cutoff, mono
- effects
- short room reverb, light chorus on the low end to sit under the didgeridoo and drum-kit, none
- notes
- The Filthy Lucre remix that took Treaty to the ARIA top 20 rebuilds the album version around a sequenced four-on-the-floor synth bass sitting under the yidaki and Mandawuy Yunupingu's vocal. The bass is simple and functional, more about the danceable pulse than melodic movement, letting the traditional instrumentation carry the identity of the track.
Sources
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Images
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Who played it
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Samples
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Revision history
- Seedsystem