Roland Juno-106, bass
未核实
根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它
设置
- osc
- 1 DCO saw, sub-oscillator square -1 oct, unison 1, detune 6 cents, sub square -1
- filter
- LP 24 dB/oct, medium-open
- cutoff
- 900 Hz
- resonance
- 0.25, drive 0.15
- envelope
- A 4 ms D 60 ms S 0.9 R 80 ms; opens slightly on each quarter-note hit to give the four-on-the-floor pulse some bounce, closes back before the next hit; filter env amount 0.3
- modulation
- lfo sine 0.3 Hz to cutoff, mono
- effects
- short room reverb, light chorus on the low end to sit under the didgeridoo and drum-kit, none
- notes
- The Filthy Lucre remix that took Treaty to the ARIA top 20 rebuilds the album version around a sequenced four-on-the-floor synth bass sitting under the yidaki and Mandawuy Yunupingu's vocal. The bass is simple and functional, more about the danceable pulse than melodic movement, letting the traditional instrumentation carry the identity of the track.
来源
尚无来源。主张需要一个 A 级来源,或两个独立的 B 级来源,才能被核实。
图片
尚无自由许可图片。
谁演奏了它
尚无署名。
音频样本
尚无音频样本。
修订历史
- Seed系统