Linn Electronics LM-1, fx
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- noise + 1 saw -2 (swept texture), unison 1, detune 10 cents, sub none, noise 0.5
- filter
- BP 12 dB/oct
- cutoff
- 2915 Hz
- resonance
- 0.4, drive 0.28
- envelope
- A 450 ms D 1478 ms S 0.6 R 2554 ms; long sweeping automation across the section; filter env amount 0.49
- modulation
- lfo sine 5.16 Hz to cutoff
- effects
- plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production, crush
- notes
- The atmospheric synth fx/texture layer on "Dream Sequence" (Catch as Catch Can, 1983). 1983 Wilde-family production: Jupiter-8 bass and stabs, Linn LM-1, early Fairlight CMI colour starting to appear on the choruses (the era of the Nile Rodgers 'Dancing in the Dark' remix). Built from noise + 1 saw -2 (swept texture), shaped by a BP 12 dB/oct filter (long sweeping automation across the section), finished with plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
No free-licence image yet.
Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem