Linn Electronics LM-1, fx

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: noise + 1 saw -2 (swept texture), unison 1, detune 10 cents, sub none, noise 0.5
filter: BP 12 dB/oct
cutoff: 2915 Hz
resonance: 0.4, drive 0.28
envelope: A 450 ms D 1478 ms S 0.6 R 2554 ms; long sweeping automation across the section; filter env amount 0.49
modulation: lfo sine 5.16 Hz to cutoff
effects: plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production, crush
notes: The atmospheric synth fx/texture layer on "Dream Sequence" (Catch as Catch Can, 1983). 1983 Wilde-family production: Jupiter-8 bass and stabs, Linn LM-1, early Fairlight CMI colour starting to appear on the choruses (the era of the Nile Rodgers 'Dancing in the Dark' remix). Built from noise + 1 saw -2 (swept texture), shaped by a BP 12 dB/oct filter (long sweeping automation across the section), finished with plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production.

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。