Linn Electronics LM-1, fx

Inställningar

osc

noise + 1 saw -2 (swept texture), unison 1, detune 10 cents, sub none, noise 0.5

filter

BP 12 dB/oct

cutoff

2915 Hz

resonance

0.4, drive 0.28

envelope

A 450 ms D 1478 ms S 0.6 R 2554 ms; long sweeping automation across the section; filter env amount 0.49

modulation

lfo sine 5.16 Hz to cutoff

effects

plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production, crush

notes

The atmospheric synth fx/texture layer on "Dream Sequence" (Catch as Catch Can, 1983). 1983 Wilde-family production: Jupiter-8 bass and stabs, Linn LM-1, early Fairlight CMI colour starting to appear on the choruses (the era of the Nile Rodgers 'Dancing in the Dark' remix). Built from noise + 1 saw -2 (swept texture), shaped by a BP 12 dB/oct filter (long sweeping automation across the section), finished with plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production.

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Ändringshistorik

• 10 sep 2026Seedsystem